Every clever, colorful verse teases a course to victory while stoically accepting defeat: “We must blend into the choir, sing as static with the whole/ We must memorize nine numbers and deny we have a soul/ And in this endless race for property and privilege to be won/ We must run, we must run, we must run.” Joy in the face of hopelessness or the existential equivalent of gallows humor, it’s a nihilistic glimpse into the empty void that ends: “Oh my morning’s coming back/ The whole world’s waking up/ All the city buses swimming past/ I’m happy just because/ I found out I am really no one.” —Josh Jackson, Following the passing of his wife, visual artist and musician Geneviève Castrée, Phil Elverum took a couple months to grieve and then sat down in the room where she died and recorded the 11 songs that make up A Crow Looked at Me. We all have our go-to sad songs, like security blankets for those all-too-common times of need. The piano ballad is easily the best song about New York released in some time, miles more emotionally affecting than the Google Maps-like, landmark-referencing “Empire State of Mind,” and it’s one that does a lot with a little, stripping away Clark’s manic guitar-playing in such a way that you almost forget she’s still the best guitarist of her generation. English Romantic Songs of 2000s playlist have songs sung by . It’s filled with regret for the way things went. Superchunk’s frontman Mac McCaughan can sing about the music he listened to with his friends, can sing songs about them, both in life and death, but no matter how much it means to him, that music can’t fill the space left by his friend’s absence. As the song evolves, R. Kelly goes from singing about lost friends that passed on, as well as his mother, to talking about how he “needs answers,” to how sometimes he wishes to trade in his success, to how the church is calling him—the song is nearly six minutes of R. Kelly’s insight, proclamations and openness of being a better man. Yellow Chords by Coldplay, Hurt Chords by Johnny Cash, Hey There Delilah Chords by Plain White T's and other tabs from 2000s @ Ultimate-Guitar.Com “I hurt myself today/ to see if I still feel,” Cash sings over wispy acoustic guitar and piano chords, his ancient baritone quivering in the darkness. James Murphy questions someone’s priorities when he sings, “You spent the first five years trying to get with the plan/ And the next five years trying to be with your friends again,” but he switches to first person by track’s end, singing, “If I could see all my friends tonight.” Before cranking this one up, make sure your closest pals are on speed dial. Within the narrative, “Mad World” builds a universe of nameless faces in common situations, from birthday parties to school classes. “Downliner” is one of the standout tracks, a rueful meditation on dissatisfaction and regret. It’s about making peace with your “enemies” and learning to appreciate life while it’s happening, in both its “loveliness” and “ugliness.” Do that, and then when the end really does come, all that’s left is “just Hallelujah.” —Ellen Johnson, Written a quarter century after her father shot and killed her mother then himself in the driveway of their home in Monroeville, Alabama, the hurt still feels fresh for singer/songwriter Shelby Lynne. The past tense of that opening line, whispered and bitter, sets the tone for “Night After Night,” a track about a woman becoming increasingly detached and indifferent throughout a relationship that overstays its welcome by years, possibly decades. The 3 Doors Down crew, led by Brad Arnold, gave us this popularized tune of the ‘00s. —Ellen Johnson, Sharon Van Etten took her affinity for sad songs to a new level on her 2014 album Are We There, an anguished collection as mesmerizing as it is heartbreaking. A ‘00s sob list would not be complete without the iconic Johnny Cash. There are few things in life as tragic as dead kids, and sadly, “Little Bonnie never married, Little Bonnie never even made it four.”—Bonnie Stiernberg, Compared to the larger-than-life characters that populated Frank Ocean’s 2012 masterpiece channel ORANGE, the scope of his follow-up Blonde is more interior, laden and tangled with the mental back-and-forths that plague relationships: heartbreak, desire and doubt. It’s a disturbing story made only more dismal when backing vocalists harmonize with Kozelek on lines like, “Carissa was 35/ You don’t just raise two kids and take out your trash and die.”—Tess Duncan, We could easily pull out half a dozen Elliott Smith songs for this list, and nearly that many were nominated. It’s easy to forget that a beautiful song may only exist because an artist has suffered, but in “Funeral,” the listener, too, is in the trenches. Song by song, line by line, he speaks directly to her and into her absence. There’s a particular kind of braveness unique to anyone who can get up on stage and sing through your tears about an ex for whom you still hold a flame. Superchunk: “Me & You & Jackie Mittoo”, 37. He had a lot to say. “Come on home,” he sings over and over. Clearly Thraves dug the back-to-forward style because a DVD later came out on the band, which had another version of the song where it played backwards while the video ran forward. This list has been updated from its original publish in 2018. “All My Friends,” though danceable and streamline in nature, relays a universal sadness about getting older and the fluctuation of friendships as we age. “No Hard Feelings” is about dying with no regrets, about the day when one’s soul leaves their body and all that’s left to focus on is the joy that defines a life. Clocking in over 31 million views on YouTube, R. Kelly’s early ‘00s hit rivals Diddy’s “I’ll Be Missing You,” even their videos have similarities. But it’s through songs like this one that he transcends even that. It’s a short, hook-filled blast of nostalgia about hitting record shops with your friends and driving around in the summer listening to reggae, and perhaps the leanest and most direct pop song Superchunk’s ever made. “I still love that picture of us walking.” It’s not flashy, but it’s beautiful, and leaves the door wide open for a listener’s interpretations. But when “Fond Farewell” was released almost a year to the day after his apparent suicide, this was the song that wrecked me. “Don’t you like me for me?” she sings. But listen to it enough times, and Judgement Day imagery will begin to unfold. When the album version was finally released 21 years later, a melancholy piano ballad complete with ambient sounds throughout, they had recently broken up and Owen was diagnosed with the cancer that killed her later that year. “Here Without You” came in at number five on the Billboard Hot 100, and Arnold sings about missing that special someone and the loneliness felt. Though a warm display of fingerpicking and pedal play, there’s no light at the end of this song’s tunnel: Bridgers addresses her depression as she wails, “Jesus Christ, I’m so blue all the time/ And that’s just how I feel/ Always have an always will.” “Funeral” is a brave declaration of grief and likely requires a lot of courage to perform. The results in this chart are not affiliated with any mainstream or commercial chart and may not reflect charts seen elsewhere. I need some slow, sad songs preferably popular songs, or sung by a popular artist. Shelby Lynne: “Heaven’s Only Days Down the Road”, 26. Everything from a homemade video of Cash celebrating, to paintings, to personal letters are now on display to the public. (A black star is, among other things, a theoretical star that has gone out, and has mass but no energy; it’s also a type of cancer lesion.) There are some key differences between decades (clearly…), and whether you were an introspective feeler only when your significant other was around, a full-on boaster of the sap, or a closest listener, there were some unforgettable sad songs that came to fruition from 2000 to 2010. Introduced as a song sung from one passenger to another on an airplane plummeting into the sea, it’s a call to resistance, but an utterly ironic one. “What could I say?” Berninger bellows. Of all the tragedies on the record, “Carissa” is the most gruesome and harrowing. The 11 wildest cover songs of 2018 (so far). —Garrett Martin, Indie rock wunderkind Lindsey Jordan and her band, Snail Mail, released their debut album in 2018, Lush. At home in both a sweaty Brooklyn dancehall or your living room, “All My Friends” isn’t exactly dismal, but it’s certainly upsetting. “Pristine” continues the personal, intimate feel of Jordan’s debut Habit, which was written in her suburban Maryland bedroom. The song is about staying in a relationship for the wrong reasons, and regretting the pain that inevitably results—a theme on his first album as Bon Iver, 2007’s For Emma, Forever Ago. The remaining cranes were finished by friends and family, and the poor young victim of WWII was ultimately buried with them. Her 2017 album Stranger in the Alps is replete with mournful ballads and stories of longing and loss, but “Funeral” may just be the most woeful. —Amy Glynn, “It took me awhile to for me to be able to do ‘Go Home’ comfortably because that’s one of the most explicitly autobiographical songs,” Baker once told me while touring off of her first record, Sprained Ankle. “I was far away.” Reckoning with the realization that he may lose her because of his inability to communicate, the protagonist is helpless. —Eric R. Danton, “Me & You & Jackie Mittoo” doesn’t sound sad at first. As this character is withering away due to cancer’s effects, everyone tries to ignore the “elephant” in the room and just make her final moments as joyful as possible. Instead she triumphantly announces, “I keep dancing on my own.” The situation is undeniably hurtful and uncomfortable, but Robyn wants her audience to know that she’s going to be just fine alone, and you are too.—Tess Duncan, “Darling I loved you” opens up Side B of Laura Marling’s pitch perfect third album, A Creature I Don’t know. … Some have colossal riffs and some are epic ballads, while others are just guilty pleasures you can't get out of your head. ... Gaana is the one-stop solution for all your music needs. The volatile relationship she had with her ex-boyfriend, Blake Fielder-Civil, was, Hinder’s mid-2000s song had that push-pull effect: the conflict between the one you have and the one you want. And while those feelings can be profoundly sad, the song doesn’t necessarily leave the listener in a dark place: You might find yourself smiling through the tears, rather than heaving through a series of weeps, as its gentle tempo is drowned out in a rumbling of keys and voices. The ten-minute track might not be, as people thought at first, a specific farewell message to fans (Blackstar was conceived and in production before Bowie knew his cancer treatment had failed), but it is certainly a meditation on fame, posterity, and standing at the strange crossroads of age (69 isn’t spectacularly old but Bowie’s prolific multi-persona career had spanned over five decades, and that’s a hell of a long time in rock). Julia Jacklin: “Don’t Know How to Keep Loving You”, 12. Nowhere is this clearer—that is, clear by Blonde’s cryptic standards, an album without a singular recognized spelling for its title—than on “Self Control.” With a pitched-up intro reminiscent of Prince’s “If I Was Your Girlfriend,” the track oozes lust before abruptly transitioning that longing into something more mournful, repositioning Ocean as squarely exterior to someone else’s relationship. by the admonishing acoustic cut “Lost Cause,” a hallucinatory goodbye letter to an unknown lover, Beck’s repeated refrain of “I’m tired of fighting” sounds as eerily comforting today as it did over a decade ago.—Ryan J. Prado, This deeply personal song from Brandi Carlile, set to the quiet strumming of guitars and shuffling drums, remembers a friend who committed suicide when she was a teenager—and all the confusion and sadness and rage that comes with tragedy. Johnny Cash Down the Road ”, 40 days Down the Road ”, 46 so grab a pint your... 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